Jürgen Henkys

Jürgen Henkys (* 6. November 1929 in Heiligenkreutz thermos sports bottle, Ostpreußen; † 22. Oktober 2015 in Berlin) war ein deutscher Pfarrer und evangelischer Theologe sowie Kirchenlieddichter und -übersetzer.

Henkys entstammt einer ostpreußischen Pfarrerfamilie. In der Kirche Heiligenkreutz (Ostpreußen) empfing er die Taufe und erlebte seine Schulzeit nach Heiligenkreutz in Palmnicken an der samländischen Bernsteinküste, in Königsberg (Preußen), in Wyk auf Föhr und in Leverkusen. Hier legte er 1948 das Abitur ab und studierte anschließend Theologie in Wuppertal, Göttingen, Heidelberg und Bonn.

Henkys nahm dann auf Bitten der ostdeutschen Kirchen seinen Dienst in der DDR auf. Anfang 1954 siedelte er in die DDR über und wurde nach dem Schulvikariat Prädikant (Vikar) in Groß Mehßow in der Niederlausitz. 1956 wurde er ordiniert und Hilfsprediger, dann Studieninspektor am Predigerseminar Brandenburg an der Havel, schließlich dort auch Dozent für Katechetik. 1965 promovierte er mit einer Dissertation über Bibelarbeit. Der Umgang mit der Heiligen Schrift in den evangelischen Jugendverbänden nach dem Ersten Weltkrieg an der Universität Greifswald whats a good meat tenderizer. Die Arbeit erschien 1966 in Hamburg.

Von 1965 an war Henkys Dozent am Sprachenkonvikt der damaligen Ost-Berliner Kirchlichen Hochschule, ab 1991 Professor für Praktische Theologie an der Humboldt-Universität Berlin; 1995 wurde er emeritiert.

Jürgen Henkys war ein Bruder des verstorbenen Publizisten Reinhard Henkys.

Henkys veröffentlichte Liedübertragungen aus anderen Sprachen. Seine Lieder wurden unter anderem in das Evangelische Gesangbuch aufgenommen. Neben Liedern im Stammteil des Gesangbuches stammen insbesondere im Regionalteil der reformierten Landeskirchen etliche Texte zu Psalmvertonungen aus seiner Feder.

Der Stammteil des Evangelische Gesangbuches (EG) enthält folgende von Jürgen Henkys übersetzte Lieder: 20, 97 buy glass bottles, 98, 117, 154 (Str. 6), 212, 312, 313, 383, 430, 431, 455. Weitere Texte von Henkys finden sich in den Regionalteilen der Landeskirchen.

Holy Infant of Atocha

Holy Infant of Atocha or Santo Niño de Atocha is a Roman Catholic image of the Christ Child popular among the Hispanic cultures of Spain, Latin America and the southwestern United States. It is distinctly characterized by a basket he carries, along with a staff, drinking gourd, and a cape affixed to which is a scallop shell, symbol of a pilgrimage to Saint James.

Devotion to Holy Infant of Atocha originally began as a Marian devotion with a medieval statue of the Madonna and Child in Toledo, Spain. According to Juan Javier Pescador, it originally reflected devotions to three different depictions of the Virgin Mary: Our Lady of Atocha, Our Lady of Antigua, and Our Lady of Pregnancies that later coalesced into Our Lady of Atocha.

The image of the Divine Child was detachable, and devout families would often borrow the image of the infant when a woman was about to give birth to her child.

In the 13th century, Spain was under Muslim rule. The town of Atocha, now part of Madrid’s Arganzuela district, was lost to the Muslims, and many Christians there were taken prisoners as spoils of war. The Christian prisoners were not fed by the jailers, but by family members who brought them food. According to pious legend, the caliph ordered that only children under the age of 12 were permitted to bring food. Conditions became increasingly difficult for those men without small children. The women of Atocha prayed before the statue of Our Lady of Atocha at a nearby parish, a title of the Blessed Virgin Mary, to ask her son Jesus for help.

Reports soon began among the people of Atocha that an unknown child under the age of twelve and dressed in pilgrim’s clothing, had begun to bring food to childless prisoners at night. The women of the town returned to Our Lady of Atocha to thank the Virgin for her intercession, and noticed that the shoes worn by the Infant Jesus were tattered and dusty. They replaced the shoes of the Infant Jesus, but these became worn again. The people of Atocha took this as a sign that it was the Infant Jesus who went out every night to help those in need.

The Holy Child of Atocha is depicted dressed as a boy pilgrim dressed in a brown cloak with white lace collar over a blue robe. He wears a brimmed hat with a plume and carries a basket full of bread in one hand and a pilgrim’s staff in the other. The pilgrim’s staff is often depicted with a water gourd fastened to it. On the cloak he wears a Shell of Saint James, symbol of the pilgrims to the Shrine of Santiago de Compostela in northwestern Spain. The Child is said to roam the hills and valleys, particularly at night, bringing aid and comfort to the needy, and thereby wearing out his shoes. He is usually shown seated.

The Moorish conflict extended well beyond the town of Atocha. During dire points in their journey, travelers reported that a young boy, dressed as a pilgrim, would come to them bringing food and other necessities. The boy would often travel with them until they were out of danger and then guide them to the safest roads to reach their destination. Pious legends continued to be developed and the miraculous Child later became considered to be the Child Jesus and was given the title the Holy Child of Atocha.

There are two primary shrines to Niño de Atocha: at Fresnillo/Plateros in the state of Zacatecas, Mexico and Chimayo, New Mexico, USA. The original Mexican Niño de Atocha was installed in the church of Saint Augustine along with the silver Christ in 1554 not long after a silver strike in Plateros.

In those years silver was discovered in Fresnillo and mines were being opened in the mountains near the settlement. Within a few weeks of the opening of the mine of Fresnillo, there was an explosion and many miners were trapped whats a good meat tenderizer. The wives of the miners went to the church of St. Augustine to pray for their husbands and noticed that the child on the image of Our Lady of Atocha was missing. At the same time, it was said that a child came to the trapped miners, gave them water and showed them the way out of the mine. Whenever there was a problem at the mine the child helped the miners in need. Each time this happened, the image of the child on the Virgin’s arms was found to be dirty and his clothes had little holes in them. After that the Holy Child was taken off his mother’s arms and put on a glass box for everyone to see. The Holy Child of Atocha has become a symbol of Zacatecas and the protector of miners. Many make pilgrimages to Plateros at Christmas to bring toys to the Holy Child.

Holy Infant of Atocha is also popular amongst the mostly Catholic Filipino people. The local variant, simply known as Santo Niño (Holy Child), is portrayed very similarly to the Spanish Atocha, except that it is always standing rather than sitting. He bears a staff with an attached bag or basket, which is usually filled with coins or candy, and he dons a pilgrim hat resembling the Atocha image.

The current Santo Niño found in many Filipino homes is traditionally dressed in either green or red garments. In Filipino Folk Catholicism, red garments are suited for images enshrined at home, while green ones are for those enshrined in business establishments; a common offering to the latter is a bowl filled with coins and sweets. In addition, many Filipinos customarily dress the Santo Niño in modern attire that reflect their professional roles, such as nurses, doctors, janitors, teachers and policemen, as a means of asking for his patronage. These customs relating to dress are also applied to replicas of the Santo Niño de Cebu, brought by Ferdinand Magellan to the islands in 1521, and the Infant Jesus of Prague.

In the film Napoleon Dynamite, Pedro suggests placing santos around the hallways of his high school, recommending El Santo Niño de Atocha. He says that his Aunt Concha has seen him.

Holy Infant of Atocha is sometimes associated with the Yoruba orisha Eshu, or Elegua.

This holy infant appears in the 1991 novel Mojo and the Pickle Jar, by Douglas Bell.

In Michael Jackson’s video for “Beat It” tenderize cooked meat, there is a picture of the Santo Niño above his bed.

On the television sitcom George Lopez, the Holy Infant of Atocha is displayed in the family’s kitchen.

The Colombian television historical drama Escobar, el Patrón del Mal features references to the Holy Infant of Atocha. The saint is a particular favorite of Pablo Escobar’s mother, Enelia Hermilda Gaviria. She displays a very large portrait of the saint (same as the image above) in her foyer and invokes him in verbal blessings upon her loved ones.


Dante Cavazzini

Dante Cavazzini (Gualtieri, 27 maggio 1890 – Udine, 11 febbraio 1987) è stato un filantropo, mecenate e commerciante italiano.

Friulano “d’adozione” (si trasferisce a Udine a circa 30 anni) whats a good meat tenderizer, Dante Cavazzini nasce a Gualtieri, in Emilia, da una famiglia numerosa e poco agiata. Inizia a lavorare a 11 anni come garzone muratore; a 14 anni lascia la famiglia per lavorare a Milano come garzone macellaio; a 15 anni è alle dipendenze di ditte di tessuti, prima come fattorino, poi come apprendista commesso. Nel 1911 partecipa alla guerra in Libia; torna a Milano, ma richiamato alle armi nel 1915, combatte nella prima guerra mondiale, dapprima sul fronte dell’Isonzo, poi – dopo la ritirata del 1917 – sul fronte francese.

Rientra definitivamente in Italia nella prima metà del 1919. Torna a Milano e decide di mettersi in proprio come venditore di stoffe. Vede nell’Austria appena uscita dalla guerra un mercato ideale; parte quindi per Vienna con un campionario di stoffe per abiti maschili. Durante il viaggio, conosce Udine, dove è costretto a fermarsi per tre giorni a causa di un guasto all’auto. A Vienna, nonostante la profonda crisi economica post bellica, Dante Cavazzini vende tutta la merce ed intraprende commerci che lo riportano a Vienna e poi a Cracovia, Varsavia e in Ucraina. Al ritorno, trova l’Italia in gravissima crisi economica; Milano non è una buona piazza, sia per la crisi che per l’elevata concorrenza; pensa al Friuli e a Udine.

La prima operazione commerciale udinese di Cavazzini è una svendita di stoffe, nel giugno del 1921, in alcuni locali affittati per alcuni mesi e situati in pieno centro (via Manin); il successo è notevole, anche grazie a un sapiente uso della pubblicità.

La scelta di stabilire definitivamente la sua attività a Udine matura in poche ore, in occasione di un viaggio di lavoro a Venezia: per un contrattempo, Cavazzini ha del tempo “libero” e decide di recarsi a rivedere Udine; viene a sapere della disponibilità di un negozio in via Savorgnana 5, in pieno centro; organizza per l’indomani mattina un incontro con il proprietario, il Conte Colombatti e immediatamente si accorda e versa la caparra il contratto d’affitto. Il negozio, denominato “Al ribasso”, inaugura il 4 maggio 1922. Apre con due commessi; nel giro di un anno i commessi sono 22. Cavazzini, ancora ben noto in zona per la grande svendita dell’anno precedente, supporta il nuovo negozio con una nuova campagna pubblicitaria.

Durante il periodo fascista, Cavazzini, ormai commerciante di successo, comincia ad essere attaccato sui giornali locali; prendendo a pretesto le sue pubblicità bi-lingue (italiano e sloveno) in Istria e Dalmazia, viene ritenuto nemico della patria; al pesante articolo su “Il giornale del Friuli” nel novembre 1930, seguono altri attacchi, anche sul quotidiano “Il popolo di Trieste”; si comincia a chiedere il confino per il commerciante, che si salva grazie all’intervento presso la Prefettura di Udine di Italo Balbo, sollecitato dalla sorella, moglie di un amico di Cavazzini.

Nel 1933 Cavazzini decide di aprire un secondo negozio in città, in via Mercatovecchio, che chiama “L’arredamento”. Il 24 febbraio 1940 si sposa con Aminta Flebus, sarta udinese, conosciuta 10 anni prima all’interno del negozio; con Aminta dividerà il resto della sua lunga vita.

Durante la guerra, Cavazzini offre il suo contributo alla resistenza, donando in più occasioni tessuti loden e stoffe impermeabili ai partigiani, con la mediazione dell’amico architetto Ermes Midena. Sospettato di sostegno alle nuove idee democratiche, Cavazzini è in quel periodo oggetto di misure preventive, come la sospensione dell’uso del telefono di casa. Quando decide di immagazzinare merci in Emilia, per salvaguardare il magazzino dei negozi di Udine in caso di invasione, viene accusato di trasferimento illecito di merci ed arrestato a Udine il 7 luglio 1943 wet electric shaver; passerà in carcere circa 3 mesi.

Prima della fine della guerra, il negozio di via Mercatovecchio viene requisito per ragioni di pubblica utilità; anche il negozio di via Savorgnana viene occupato dalle truppe inglesi; quest’occupazione durerà però solo 3 mesi e il negozio potrà riprendere l’attività, che proseguirà fino al 1990.

In punto di morte, Cavazzini chiede alla moglie di chiudere l’attività dopo la sua scomparsa; Aminta Cavazzini lo farà, ma manterrà il negozio aperto altri tre anni, per dar modo a tutti i dipendenti di trovare un altro lavoro.

La vita di Cavazzini non si esaurisce nell’attività commerciale. Nel 1939, conosce don Guglielmo Biasutti, che lo interessa ad alcune iniziative a favore dei poveri; quando don Biasutti, grazie alla donazione della benefattrice Melania Bearzi, fonda il nucleo originario, per ospitare e formare professionalmente ragazzi abbandonati e bisognosi, Dante Cavazzini contribuisce generosamente, iniziando con l’Istituto un rapporto di concreto supporto ed attenzione, che si protrarrà per tutta la sua vita. Nel 1957, in memoria della madre Clotilde, dona all’Istituto un ampio, moderno ed attrezzato padiglione per meccanici; dona poi altri due padiglioni, uno dedicato alla memoria del padre Giovanni, l’altro, attrezzato per i corsi di disegno e tecnologia, intitolato al fratello Costantino; fa anche costruire una sala per spettacoli, proiezioni, concerti e conferenze, rendendo l’Istituto Bearzi uno dei più moderni dell’epoca.

La filantropia e l’impegno sociale di Cavazzini in Friuli si sono diretti anche in un’altra direzione. Memore della forte emozione provata nel corso della sua visita – nel 1925 – all’Istituto Cottolengo per malati soli e bisognosi di Torino, Cavazzini non esita a contribuire alla nascita e sviluppo del “Piccolo Cottolengo” di Santa Maria la Longa, fondato da don Biasutti all’interno della tenuta donata da Melania Bearzi; nel 1968 Cavazzini dona al Piccolo Cottolengo l’intero padiglione maschile, che ancor oggi porta il suo nome, e collabora successivamente alla realizzazione del padiglione femminile.

Nel 1961, il Comune di Udine nomina Dante Cavazzini Presidente della Casa di Invalidità e di vecchiaia, che ospitava all’epoca quasi mille anziani. Cavazzini accetta l’incarico e svolge anche le funzioni di direttore; oltre ad amministrare, fa ristrutturare a sue spese serramenti, servizi igienici, riscaldamenti, fognature e giardino della struttura; risana anche le finanze dell’ospizio; al termine del mandato, viene insignito di medaglia d’oro dal Sindaco di Udine.

Gli interventi filantropici di Cavazzini si rivolgono anche alla sua terra: negli anni quaranta ricostruisce e restituisce all’uso l’ospedale di Gualtieri, distrutto nel 1942 da un incendio; negli anni cinquanta, in occasione dell’alluvione del Polesine del novembre 1951, interviene in aiuto della sua città natale donando e distribuendo materiali di prima necessità; supporterà sempre Gualtieri, ripristinando anche l’asilo, la parrocchia e le scuole di avviamento professionale; in cambio riceve la cittadinanza onoraria.

Nel 1937, Cavazzini accoglie il consiglio dell’architetto e amico Ermes Midena e chiama a decorare le pareti del suo appartamento, situato sopra il negozio di via Savorgnana 5, un artista poco conosciuto di 26 anni, Afro Basaldella; al suo fianco opereranno anche altri pittori poco conosciuti: Mirko Basaldella e Corrado Cagli. Nasce così il notevole ciclo di affreschi di Casa Cavazzini.

Casa Cavazzini è stata donata dalla vedova di Cavazzini, Aminta Flebus, al Comune di Udine per farne un museo. L’edificio è stato oggetto di un attento restauro, su progetto originario di Gae Aulenti, che ha svelato in corso d’opera un patrimonio archeologico nascosto: una vasca-cisterna “alla veneziana” del XVI secolo e un notevole deposito di vasellame protostorico databile alla seconda metà dell’VIII sec a 8 glass water bottle.C. I restauri, terminati nel 2011, hanno anche restituito in tutta la sua bellezza originaria il ciclo di affreschi di Afro e Mirko Basaldella e Corrado Cagli.

L’edificio ospita, dal 6 ottobre 2012, il nuovo museo denominato Museo di arte moderna e contemporanea.

Tiger Cruise

Tiger Cruise (released August 6, 2004) is the 54th Disney Channel Original Movie. It stars Hayden Panettiere and Bill Pullman. The film’s fictional events are intertwined with the real-life events of the September 11, 2001 attacks.

This is one of only two films to date in which both Panettiere and her real-life younger brother Jansen appear, the other being The Forger. (Both were also involved with Racing Stripes – Hayden was the human star and Jansen’s voice was used for the young zebra, Stripes, at the beginning of the film.)

Maddie Dolan, a teenager from San Diego, wants to convince her father Gary Dolan, a U.S. Navy Commander, to give up his career and come home. Maddie accepts her father’s offer to participate in Operation Tiger, a week-long cruise for military families and their friends aboard his aircraft carrier. She meets two other teenagers boarding the Tiger cruise, Tina and Anthony. Tina is fascinated by military life; her older sister Grace is a United States Naval Aviator. Anthony, whose older brother Kenny is a sailor, is a drummer who prefers to have nothing to do with military life.

On September 10, 2001, one day into the cruise whats a good meat tenderizer, Maddie and Tina are excited about the day’s upcoming air show. When Grace hears that the girls want to be on the flight deck taking pictures of her jet taking off, she refuses, telling them that the flight deck is a restricted area due to safety regulations and they can watch the airshow only from Vulture’s Row. The three teenagers, disguised as members of the deck crew, take pictures of Grace’s jet taking off from the flight deck. The instructor recognizes them as civilians and orders the airmen and sailors to capture them. In Captain Anderson’s office, he reprimands the teenagers for their reckless actions and he gives a warning; if any of them violate any further regulations, they will be restricted to their quarters until the carrier lands. The incident leaves the teenagers’ families disappointed.

Dolan confronts an unrepentant Maddie about disobeying those regulations. He tells her about another incident when a crew member was lost while trying to land a jet during a practice maneuver. Kenny confronts Anthony about his actions and violating the rules. Maddie, Anthony and Tina apologize to each other and discuss how their parents reacted to their actions. Maddie apologizes to her father wholesale soccer shop, then tearfully divulges her true reason for agreeing to met him in Hawaii: she is tired of being a navy brat runners waist pouch. She explains she and her sister, Kiley got jumped on their first day and the school claimed she was fighting best hydration belt running. Commander Dolan then forgives her and tells her he will come home after the voyage.

On September 11, 2001, the passengers learn of the terrorist attacks on the World Trade Center and The Pentagon. The ship goes into high alert. Tina finally realizes the full meaning of her sister’s assertions that military life was not as glamorous as she thought it was. Anthony, who lives in New York City, finds himself fearing for the safety of the people he knew who had jobs in the Twin Towers. Maddie experiences her father’s honor, courage and commitment to his family, and his will to make sacrifices for his country. She realizes that he will have to remain in the military, which upsets her. At Maddie’s suggestion, the passengers unfurl a giant American flag on the deck. Maddie tells her father to keep doing what he’s doing and she has accepted being a military brat.

When the Constellation arrives in San Diego, California, downtown San Diego is featured in the background, showing the Twin Hyatts. In actuality, only the first one had been completed by September 2001, roughly around the time of the terrorist attacks on the World Trade Center and the Pentagon.

Much of the movie was shot on board the USS John C. Stennis, with additional filming on board USS Nimitz (the Constellation was decommissioned before production started). The hull numbers of all three ships are visible at various times throughout the movie. Actual crew members of the Stennis were used as extras, and a few can be seen wearing Stennis ballcaps instead of the prop Constellation caps.

On September 12, 2001, the full moon was shown. The actual phase of the moon was a waning crescent less than a week away from a new moon.

The shots in the beginning of the movie featuring Maddie’s home were filmed at Orange Lake Country Club in Kissimmee, Florida.